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Two Jewish men (center, and at right in overcoat), carrying paint and brushes, who were forced by Austrian Nazis to paint "Jude" on the fronts of Jewish-owned businesses. Vienna, Austria, 1938.
An antisemitic and anti-Masonic display at the exhibition "Der ewige Jude" (The Eternal Jew). The exhibition sought to establish a connection between Jews and Freemasons. Munich, Germany, November 10, 1937.
Nazi ideology aimed to promote the myth of an ideal national community and label those who were to be excluded from it as enemies. Propaganda was essential in promoting such myths.
An antisemitic cartoon published in Dr. Kurt Plischke's Der Jude als Rassenschaender: Eine Anklage gegen Juda und eine Mahnung an die deutschen Frauen und Maedchen (The Jew as Race Defiler: An Accusation against Judah and a Warning to German Women and Girls). Germany, ca. 1935.
Nazi district leader of Franconia Julius Streicher (right), propaganda minister Joseph Goebbels (second from right), and other Nazi officials attend the opening of the exhibition Der ewige Jude (The Eternal Jew). Munich, Germany, November 8, 1937.
Jakob Wassermann was a popular German Jewish author. After the Nazi rise to power, he was forced to leave Germany. His works were burned in May 1933. Learn more.
German police authorities issued this passport to Erna "Sara" Schlesinger on July 8, 1939, in Berlin. This first page of the passport illustrates the German laws that facilitated the identification of Jews in Germany. From 1938, German regulations required that Jewish women with a first name of "non-Jewish" origin use the middle name "Sara" on all official documents. Jewish men had to add the name "Israel". The letter "J" (standing for "Jude," that is, the word "Jew" in German) was stamped in red on the…
Chart with the title "Die Nürnberger Gesetze" [Nuremberg Race Laws]. In the fall of 1935, German Jews lost their citizenship according to the definitions posed in these new regulations. Only "full" Germans were entitled to the full protection of the law. This chart was used to aid Germans in understanding the laws. White circles represent "Aryan" Germans, black circles represent Jews, and partially shaded circles represent “mixed raced” individuals. The chart has columns explaining the…
Nazi leaders aimed to change the cultural landscape through the "synchronization of culture," by which the arts were brought in line with Nazi ideology and goals.
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