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A crowd waits outside the American military court for the announcement of a verdict in the Malmedy war crimes trial of SS soldiers accused of taking part in the massacre of American prisoners of war. Dachau, Germany, July 16, 1946.
Photograph of Esther Lurie and a friend, Jose, who were both students at the Institute of Art in Brussels. Here they are enjoying refreshments on an outdoor terrace in the early 1930s. Lurie would later flee Europe as war became imminent. Brussels, Belgium, 1931–1933.
View of the Sobibor camp gate in the spring of 1943. Jews deported to the Sobibor killing center were driven through the gate into the camp on foot, by truck or horse-drawn cart. The train track led through a separate entrance to the right onto the site. Pine branches were braided into the fence to make it difficult to see in from the outside. This image comes from an album and collection kept by Johann Niemann, who became deputy commandant of the Sobibor killing center after holding positions in the…
Rare photograph showing Sobibor killing center personnel relaxing and posing, all while implementing the mass murder of at least 167,000 innocent Jews.
Rare photograph showing a view of the German personnel living quarters at the entrance to the Sobibor killing center in German-occupied Poland.
Rare image of the Sobibor killing center, taken from an album of photos belonging to Sobibor deputy camp commandant Johann Niemann.
Rare image of the site of the Sobibor killing center, taken from an album of photos belonging to Sobibor deputy camp commandant Johann Niemann.
A group photograph including Johann Niemann in front of the old officers' dining room in the Sobibor killing center in German-occupied Poland, spring 1943.
View of a building that served as a dining room for the Germans and as lodgings for the camp commanders at the Sobibor killing center in German-occupied Poland.
Art handlers at the Schloss Niederschoenhausen storage depot hold a section of Emil Nolde’s confiscated “Das Leben Christi,” 1937. The Nazi regime confiscated the work as "degenerate" art.
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