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  • Max Diamant's identity card (outside)

    Document

    In July 1942, the German health department located in Krakow (Krakau), occupied Poland, issued this identity card to Max Diamant. This view shows the front and back covers of the card. The interior pages identify Diamant as a dental assistant in Przemysl, Poland, and show his signature and photograph mounted under the stamped word "Jew."

    Max Diamant's identity card (outside)
  • Max Diamant's identity card (inside)

    Document

    Max Diamant obtained this identity card from the German health department located in Krakow (Krakau), occupied Poland, in July 1942. This view shows the interior pages, which identify him as a Jew and detail his personal information, such as occupation (dental assistant), birthdate (June 23, 1915), birthplace (Vienna), and current address in Przemysl, Poland.

    Max Diamant's identity card (inside)
  • Work permit issued to Max Diamant

    Document

    Dr. J. Rebhan, chair of the Jewish council in Przemysl, Poland, signed this document certifying that Max Diamant had stable employment in the Jewish clinic. The certificate identifies Diamant as a dentist and is dated June 4, 1942. During World War II, the Germans established Jewish councils to ensure that Nazi orders and regulations were implemented. Jewish council members also sought to provide basic community services for ghettoized Jewish populations.

    Work permit issued to Max Diamant
  • Racial chart

    Artifact

    Racial chart entitled "Races of the World I/Europe and its Border Areas."

    Racial chart
  • Sketch from scrapbook presented during inspection of Djelfa

    Artifact

    Sketch from the scrapbook of Donald Coster presented to him during his inspection of the internment camp in Djelfa. The page is entitled, "Gulliver's travels to Djelfa." Djelfa, Algeria, ca. 1942.

    Tags: North Africa
    Sketch from scrapbook presented during inspection of Djelfa
  • Sketch from a scrapbook presented during an inspection of Djelfa

    Artifact

    Sketch from the scrapbook of Donald Coster presented to him during his inspection of the internment camp in Djelfa. The page is entitled, "All roads don't lead to Rome." Djelfa, Algeria, ca. 1941. 

    Tags: North Africa
    Sketch from a scrapbook presented during an inspection of Djelfa
  • German propaganda leaflet for African American soldiers

    Artifact

    German propaganda leaflet targeting African American servicemen, November 1944. The leaflets falsely suggested that African Americans would receive better treatment by the German military and encouraged them to surrender to German troops.

    German propaganda leaflet for African American soldiers
  • Teddy bear carried by a child on a Kindertransport

    Artifact

    Teddy bear belonging to Jack Hellman as a child. He carried it with him when he left for England from Germany on a Kindertransport in early 1939.

    Teddy bear carried by a child on a Kindertransport
  • Portrait of Masha Rolnik, by Esther Lurie

    Artifact

    "Portrait of Masha Rolnik, Leibisch concentration camp, 1944" by Esther Lurie. This image shows three sketches of Masha Rolnikaite (Rolnik) drawn by Esther Lurie, in approximately 1965, for the cover of Masha's memoir, Ikh muz dertseyin [I have to tell]. They reproduce the drawing of Masha that Esther made when both were prisoners in a forced-labor camp.   Esther Lurie was active in documenting scenes of life in the Kovno ghetto and in forced-labor camps. She buried most of her works in the hope that…

    Portrait of Masha Rolnik, by Esther Lurie
  • Print of "Portrait of a Young Girl with Two Yellow Badges" by Esther Lurie

    Artifact

    This image shows a print of a portrait drawing by artist Esther Lurie. Lurie documented scenes of life in the Kovno ghetto and contributed to the secret archives there. The subject of the portrait is a young woman in a checked dress with two Star of David patches. This print is a version of the drawing, "Portrait of a Young Girl with Two Yellow Badges," which Lurie did in the Kovno ghetto and for which she was awarded the Dizengoff Prize in 1946 in Palestine. Because the majority of Lurie's works were…

    Print of "Portrait of a Young Girl with Two Yellow Badges" by Esther Lurie

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